Goedhart is searching for a way to combine visual projections, dance and music and how they are optimally balanced and responding to each other. Hannah is fascinated by how the dancer can manipulate and interact with the projection.
She has experimented with different ways of projecting; for example by using several superimposed layers or projecting onto an semi- translucent cloth or three-dimentional objects. She also experimented with mirrors and what happens when the projection is reflected. She projected images of heads to visualize the unseen mind. She graduated with graphic projections, where the interaction with the dancer is at its best.
Film and projections,